ABSTRACT
How do post-communist memorial museums in East-Central Europe tell stories about double occupation (by Nazi Germany and the Soviet Union), collaboration, the Holocaust and victim narratives, and how have these narratives been influenced by accession to the European Union? How do the museums reference trends set by Holocaust memorial museums? The article shows that one group of museums invokes Europe and the Europeanization of the Holocaust. Other museums seek to contain certain aspects of the memory of Nazism so that it cannot compete with stories of Soviet crimes. Both incorporate elements from Holocaust memorial museums, indicating how universalized Holocaust remembrance is.
