ABSTRACT
The Mirisch Company (and its six corporate siblings) was the most commercially and critically successful independent production company in Hollywood in the late 1950s and 1960s, winning the Best Picture Oscar three times between 1960 and 1967, and supplying United Artists with five of its ten most profitable films between 1957 and 1969. However, there is still no academic study of the company. In this chapter, I ask whether understanding how the Mirisch companies operated as suppliers for UA (1957 to 1974) helps explain why so many memorable late 1950s, 1960s and early 1970s films including Some Like it Hot, The Magnificent Seven, The Apartment, West Side Story, The Great Escape, The Pink Panther, In the Heat of the Night, The Thomas Crown Affair and Fiddler on the Roof were all made by the Mirisches. Would expanding our knowledge, not just of the individuals working there, but also of their corporate working practices, their business structures and strategies, enable us to understand the characteristics such films may have in common – and why – and distinguish them from other contemporaneous Hollywood productions and production companies? To answer these questions, I rely on Michael E. Porter’s book Competitive Strategy and on the concept of corporate authorship.
