ABSTRACT
This chapter concerns the impact of the Court of Chancery and the law of copyright on the censorship and dissemination of literary texts, 1710–1823. While Chancery performs the role of proxy censor in the early part of the period, later rulings, particularly those after Southey v. Sherwood (1817), inadvertently led to the proliferation of obscene, seditious and blasphemous texts due to loss of copyright protection. Attention is paid in particular to the influence of Chancery on the dissemination of apparently “criminal” texts by the poets Robert Southey, Lord Byron and Percy Bysshe Shelley. This chapter argues that the historical literary canon has been profoundly shaped by censorship and the law, with a particular focus on the curious intersection of criminality and the law of copyright. Alongside this, this chapter argues that an analogy can be drawn between literary allusion and legal precedent. This is made clear by the fact that the names and works of great authors such as Shakespeare and Milton are invoked in legal proceedings, as if they had legal or moral authority.
