ABSTRACT
This chapter explores the contributions of KS lesions—the bluish—purple blotches that typically appear on the bodies of individuals suffering from Kaposi’s sarcoma (KS)—to the social construction of HIV/AIDS in the United States during the period from 1983 to 1993. It demonstrates how, from the moment that US popular media and related forms of visual culture “discovered” AIDS and began to regularly represent it, KS lesions served as a default way of depicting individuals in the advanced stages of AIDS and emphasizing their presumed “difference” from everyone else in the same society. It further articulates a noteworthy series of qualitative shifts that occurred in using KS lesions to socially construct HIV/AIDS over the course of this ten-year period, to the extent that by the time the AIDS movie Philadelphia was released in 1993, KS lesions were being utilized to substantially challenge the pervasive “us” vs. “them” dichotomy in US society rather than to reinforce it.
