ABSTRACT
In the context of ancient folk traditions, the folk choir is a new phenomenon. With songs from a solo tradition, appropriated by an ensemble of singers with formalised harmonies, we have to face the question: is the ‘folk choir’ an oxymoron? In preparing this chapter, we have reflected on our professional experience, considered relevant literature, analysed folk choir musical arrangements and conducted interviews with our fellow folk choir leaders. With these methods, we have examined the notion of ‘tradition’; the origins of ensemble singing; the social and political contexts from which folk choirs emerged; the bridges between folk choirs and other folk traditions; and the choir leader’s prerogative to preserve traditional melodies within choir arrangements. In conclusion, we do not consider ‘folk choir’ to be an oxymoron, or a distraction from tradition. Rather, we assert that folk choirs are an important device for promoting accessibility and enabling wider participation in folk song.
