ABSTRACT
In this chapter, I will draw on over ten years of practice-based research that applies emerging technologies, algorithms and code as a creative medium in the areas of music performance, music composition and media art installation. I will consider the competing demands of making things work technically and artistically, and the nature of collaborative work. I will consider my own recent research and that of a current PhD student as case studies in how this works in an academic context. Two concepts will structure the discussion. The first considers the question of time commitment and risk when undertaking specific activities, in relation to expected outcomes. I will look at how a practitioner handles the risk of an idea not working out at all and the more pragmatic risk of unexpected barriers to success. The second considers how much effort goes into setting up a creative space, through prior technical work and design thinking. I will look at examples of building creative freedom into a tool.
