ABSTRACT
This article examines the influence of an outfit worn by David Bowie in The Man Who Fell to Earth and on the cover of Low, upon the earliest football casuals – those of Liverpool FC from 1976–79. The significance of this outfit, a seemingly unremarkable duffle coat, is drawn out in order to demonstrate the nuanced rituals, acts and structures that make fashion a set of practices and social relations as well as a culturally loaded object. This case study demonstrates Bowie’s transmedial flow between film, music, sporting arenas, fiction and television interviews and his related contribution to the transference and creation of fashion cultures in a pre-digital age. It considers the value and shortcomings of subcultural studies when trying to understand a culture that is not one’s own, as well as the marginalization of casuals within analyses of subcultures generally. This article builds a methodological framework that draws upon theories of costume in film, fashion in fiction and existing research on working class dandyism and football culture. Representations of this outfit in the work of author Kevin Sampson – an ‘active participant’ in these new cultures – are analysed to demonstrate the role that clothing and emulation play in the relationship between a performer and their audience.
