ABSTRACT
Hugh Haughton who has had a long-standing and deep relationship with Milner’s work writes about her as a writer, as an artist and as a commentator on art and art history in her writings. To him, Milner’s Art is as original in its form as it is in its reflections. More so than Freud, Milner was part of a dialogue between psychoanalysis and art in the mid-20th century, by her participation in the Imago Group and her placing On Not Being Able to Paint in the art theory conversation.
