ABSTRACT
What does dramaturgy mean for a work whose purpose and intent is revolution against the heteronormative white supremacist patriarchy? How does that manifest in process? How does one craft dramatic structure towards revolution? In this case study, through sharing the process of dramaturging Diana Oh’s {my lingerie play} 2017: THE CONCERT AND CALL TO ARMS!!!!!!!!! the final installation, Teo examines how dramaturgy as a form can be practiced to dismantle rape culture and to decenter whiteness.
