ABSTRACT
This chapter attempts to understand the manifold ramifications of caste-based discrimination in India and to determine the nature of its presence in the world of Karnatik music, if at all. It argues for recognizing cultural liberty as an important domain for providing a foundation for inclusive equality. Regarding the question of inclusion and exclusion, it emphasizes that the world of music in South India is a microcosm of the larger society, and the world of classcial music is no different. Caste does determine to a large extent, who would sing, what would be sung and of course who would constitute the audience. The chapter establishes that the access of citizens to socio-economic rights across all identities is significant in the realization of cultural rights and liberties.
