ABSTRACT

But also, her piece needs to be read as a whole, particularly in order to ‘place’ the viewpoint of the protected middle-class child, which is gradu­ ally exposed to harsher realities. Caroline Norton’s A Voice from the Factories (1836) is generally given the accolade as the first of such writings by women of the period, yet Bowles’s work appeared three years earlier. Why is it not better known? It was produced hastily (at her own request) and also cheaply (in paper, not boards), and it failed to make any mark on the public.