ABSTRACT
Structure is ever a concern of art and must necessarily be seen as symbolic, symbolic of emotional patterns, of the psyche's organization with which are totally involved. In distinction from projections that ensue upon any perceiving, aesthetic projection, then, contains a heightened concern with structure. The contemplation of many works of art has taught us this habit. Communication by means of precise images obtains similarly in art a wider reference whenever the artist has created for the experience he describes an imagery to transcend it, to embrace parallel kinds of experience that can be sensed. Art requires full-dress rehearsal of varied methods that unify conflicting trends. Such presentation causes composition, the binding of thematic material, to be widely evocative. This is more clearly shown in music than in the other arts. Art is mastery within the mode of certain emphases upon reconstruction.
