ABSTRACT
One common motif running throughout this collection is that of the exciting new play by a gifted American playwright that has to travel to London to make its name. This is odder and sadder when the play contains a profound critique of aspects of American society. Unlike the British, Americans have problems with such critiques. American theatergoers tend to believe that plays should offer their audience pats on the back, not slaps in the face. Part of the Broadway success of Tony Kushner's Angels in America can be explained by the fact that ultimately the play does not call for change but forgiveness. Instead of offering the audience a challenge, it offers them a blessing. Naomi Wallace's In the Heart of America isn't so easy on us.
