ABSTRACT
This chapter explores the evolutions that gave rise to the late twentieth-century critical turn—or return—to ethics in literature. Literary ethics fell out of favor in the first half of the twentieth century, after the Aesthetes and Modernists rejected the moral imperatives that had been a common foundation of Victorian novels. By the late 1970s, Victorian fiction had regained a privileged place in the canon, but it was only when deconstruction began to wane that literary criticism and theory again overtly embraced the ethical, by adopting a reader-centered approach. After summarizing the early voices of the turn—Martha Nussbaum, Wayne Booth, and J. Hillis Miller—this chapter considers some of the more important iterations of the trend in Victorian literary studies, with the ethics of social formalism (Hale), detachment (Anderson), and epistemological uncertainty (Levine) forming one nexus, and sympathy/empathy studies (e.g., Jaffe, Keen, Greiner, Mitchell) forming another.
