ABSTRACT
Envisaged for a period of four years, it aims to collect, make, and exchange artworks and information around the world using video, sound recordings and photographs. It was a particular aesthetic strategy of sound and silence that filled the space between art and life. It is an answer to the penetrating look that with precision creates the impersonal, excludes the possibility of the accidental or incidental, and embalms the sensual perception of the world. The artist's audiences were his closest friends, with whom he felt free in his compositions. Having become involved in an artists' group, he created dance programs and performances but there were many people doing this and much that was superfluous. Rauschenberg’s model of art is like a light construction from tin, satin, and cardboard with pale skies that have been washed for a long time.
