ABSTRACT
EPAT’s call to ‘What comes after postmodernism?’ sounds multiple death knells, orienting attunements to a tolling of time, history and philosophy. Three figural bells hover above an architectonics for thinking postmodernism. In responding, I attune my ears to its call in the immediacy it seems to announce for a spatial orientation. Yet, attunements mediate, work over surfaces of the careful listening to a call’s coming-together and moving-apart, discover a knell’s points of entry: What orientates listening? What approaches ‘entry’? How goes this ringing?
