ABSTRACT
Foregrounding questions of belonging and national identity, this chapter examines the role of the arts in constructing cultural imaginaries of the First World War that aimed to function as unifying acts in an increasingly divided Britain. By unpacking the way these seemingly inclusive events obscure difficult histories associated with Britain’s Empire and mask a divided present, this chapter demonstrates how cultural memory is mobilised to act as a vehicle for protest and critique of contemporary political events. Through a focus on a national mass-participatory commemorative artwork commissioned to mark the 100th anniversary of the Battle of the Somme, We’re here because we’re here, this chapter examines the emotive power of the dominant cultural imaginary of the First World War soldier just days after Britain voted narrowly to leave the European Union in 2016.
