ABSTRACT
We interviewed Judy in December of 2017 in a cozy café in Ditmas Park, Brooklyn. She had returned from a performance festival in Budapest late the night before, and was generous to meet with us, given that she was a bit jet lagged. I had first met Judy three years prior at the International Symposium on Performing Arts Curation titled “Envisioning the Practice,” held in Montreal in 2014 and organized by Dena Davida and Jane Gabriels. Judy had given one of the keynotes. Her collaborative, generative, and inclusive curatorial practice has greatly influenced our thinking for this book.
