ABSTRACT
This essay demonstrates that texts by Iraqi/Arab writers conceive the US invasion and occupation of Iraq as an assault on both biological and cultural life. It argues that in occupied Iraq, the very act of writing constitutes a performative survival of neocolonial necropolitics. Thus, Philip Metres’ abu ghraib arias employs visual poetry to bear witness to the suffering of Iraqi civilians subjected to torture at Abu Ghraib prison, by rendering visible what was repressed owing to trauma or silenced in the official investigation. Meanwhile, other literary works express distress about the destruction of Iraq’s cultural archive, since the arts have constituted a precious repository of Iraqi self-knowledge and spiritual nourishment throughout the country’s history of foreign domination and political tyranny. Reflecting on the bomb attack on Baghdad’s ‘Street of the Booksellers’ in 2007, poet Dunya Mikhail delivers a powerful invocation of literature’s longevity even after its material manifestations have been erased. Sinan Antoon’s novel The Corpse Washer (2013) highlights the ubiquity of death in post-2003 Iraq and its paralysing effect on the creative faculties as it tells the story of Jawad, an aspiring sculptor who gives up his artistic ambitions to follow in his father’s footsteps as a corpse washer.
