ABSTRACT
As a dramatist, there is a constant dramatic spiral of such questions challenging the people creative abilities. Undoubtedly, the people all agree that their cultural wave today has to integrate the past, present and future. So it becomes the struggle of the dramatist to accommodate all the dispossessed people. All the time they are worried about satisfying the audience and their critical misconceptions instead of their main objectives of educating the dispossessed. It relates to the history of the dispossessed before the colonial era and comes along with the story through the colonial era until it will ultimately dredge the reader out of this colonial dung. Thus today in the performing arts the people have Black Theatre Co-operative in London, which exists to give opportunities and experiences to black actors, directors, writers, designers, technicians and other workers in the theatre. An actor’s ability to transform confirms the fact that theatre art is a universal language of communication.
