ABSTRACT
The current state of diversification and hybridization in the performing arts means that it can be difficult to quantify and classify the content of performance as circus. This chapter proposes an ideal future for the development of contemporary circus. A good starting point would be a centralized public culture administration similar to what exists in the Nordic countries. In this model, the institutionalization of the circus field affects the whole production chain. The network of performance venues available for contemporary circus is being constantly developed and the art field's markets and the number of artists are developing at a fast rate. New traditions have been developing in Finnish circus training since the 1970s. New institutions and an increasing commitment to the state and municipalities have shaped a safety net and springboard for the new generation of artists – and provided new things to rebel against.
