ABSTRACT
This chapter reflects from an institutional point of view on The Family of Man and its re-exhibition as a form of curatorial practice, and within the context of a history of exhibition design. Both the 1994 and 2013 presentations were governed by the concept of a complete restitution of the collection in accordance with its original historical precepts. Also the decision was taken to exhibit the restored original prints and keep the historical traces they bear as part of the heritage instead of displaying reproductions. Taking into account the complex visual and spatial strategies employed by The Family of Man and their physical and psychological impact on the viewer, the adaptation to a permanent gallery was not only guided by matters of design and historical coherence, but also had to consider issues regarding the changing context and status of the exhibition over the years.
