ABSTRACT

In this chapter, I reflect on a series of photographs of windows taken in different cities around the world before and during the COVID-19 pandemic. I use these photographs to prompt an analysis of urban flows at a time when our cities have come to a halt. Windows are caught up in a series of dichotomies that posit what is inside against the outside, the intimate against the public, home against street, stability against unpredictability, among others. The chapter explores some of the ways in which windows not only mediate our interactions with the world around but also actively participate in our everyday lives, especially at the current moment. Given the restrictions brought about by the COVID-19 pandemic, windows have taken on an even more important role in supporting dwellers’ quality of life and wellbeing. Working with and against the digital archive I have compiled, the chapter considers how these photographs gesture towards the layered experiences of space and place, as well as the presence and absence of affect and memory. I conclude by discussing how this type of photographic inquiry benefits qualitative research focused on the lived experience of place at a time when in-person methods are no longer an option.