Interview: Fetishism of Black-and-White and the Vulgarity of Colour

(First published in Marks of Distinction, Thames and Hudson, London, 1991, PP- 124-31)

Karen Knorr was one of the most significant postmodernists to emerge from the radical photography department of the Polytechnic of Central London in the early 1980s. This interview emphasises the major shift taking place in British photography - the intertwining of practice and theory - during these years.