ABSTRACT
The evolution of stance with the bass mirrors the evolving role of the instrument in the orchestra and theater. Franz Simandl’s New Method instructed a standing posture with the right leg slightly ahead of the left, and the body’s weight held mainly in the left leg. Ludwig Streicher’s posture: both the bass and the right foot point forward, the arch of the left foot is put into the bottom edge of the back of the bass, foot lifted, heel on floor, and presses the bass into the left hand fingers. Piermario Murelli’s standing approach is ergonomic and considers the physiology of playing: the back should be straight and the shoulders relaxed so the player can breathe freely. The seated position considers many factors and angles to arrive at a posture that supports body alignment and equal access to all four strings, as much as possible.
