ABSTRACT
This chapter asks four related questions. First, what does Cuck say about the interrelatedness of right-wing whiteness and male supremacy? Second, how does the film position the audience with regard to the same? Third, what gets lost when the people use the lone wolf metaphor to describe single-shooter white nationalists and violent misogynists? Finally, what does the film tell the reader about the ways in which these movements use and are influenced by visual and digital culture? It explores Ronnie’s use of images within his environment, as well as his prolific use of online chat rooms/discussion forums, a YouTube-like digital streaming video channel, dating, and pornography sites to demonstrate how the far right and violent misogynists are influenced by visual culture even as they deploy the same for recruitment and mobilization.
