ABSTRACT
In the Arab world, the phenomenon of musical improvisation is historically deep-rooted, widely practiced and, in general, aesthetically and culturally held in high esteem. This realm of artistry is associated with a certain technical skill and a particular emotional effect. As a craft, it is connected to an established set of theoretical concepts and structural frameworks, but it also appeals to the performer’s spontaneity and intuition. Ideally, improvising develops through knowledge and experience, as well as talent and inspiration. In some ways, the literal term of “improvisation,” as well as some of its equivalents, prompts certain ponderings. Such a polysemic coinage as “improvisation” carries multiple overtones, some of them being flattering or benign and others negative or suspicious. In Arab and many other cultures, people take interest in musical improvisation for a variety of reasons. Many cherish the art for its significance and aesthetic gratification.
