ABSTRACT
It is an easy and a pleasant task to speak of its improvements. Author believe—nay, he know—that there still exist very worthy but self-constituted critics who speak with shake of head and regretful sigh of what are called the “palmy days” of the Drama. In the old days the utmost disorder was allowed to exist in the half-lighted auditorium. Eating and drinking were freely indulged in; smoking was permitted; wine, spirits, and tobacco were hawked about; card-playing was resorted to between the acts; the more distinguished among the audience were allowed to walk and sit on the stage, and to converse with the performers. But perhaps the most remarkable change that has come over the condition of the Drama is the fact that there is at last a recognised social position for the professional player.
