ABSTRACT
Since its launch in 1999, the annual Caine Prize for African short stories has assumed a dominant position on the continent’s literary landscape. It has been hailed for the exposure it provides for its winners who are mostly budding writers. Expectedly, it has also attracted stinging criticism, especially for what is perceived to be its legitimisation of stereotypical narratives about Africa. In this chapter, I examine how the two winning entries of 2008 and 2011 represent contemporary African realities and, in so doing, I reinforce the growing significance of the prize and the short story genre to modern African literary expression. I argue that, taken together, Henrietta Rose-Innes’s “Poison” (2007) and NoViolet Bulawayo’s “Hitting Budapest” (2010), both set in cities, contribute to problematic imaginings of African futures. Bulawayo does this through her representation of slum life and dystopian childhoods in Zimbabwe while Rose-Innes’s story speculates on the apocalyptic aftermath of a chemical explosion in post-apartheid South Africa. I highlight, also, how these two narratives reflect apparent relationships between the short story and the novel in contemporary African writing, as well as the increasing role of the postcolonial city as a site from which unfavourable visions of postcolonial societies are generated.
