ABSTRACT
While the early career of the Czech soprano Gabriella Roubalová (“Madame Boema”) has been well documented, those in her homeland knew little of her later years, especially of her life in Australia following her arrival in Melbourne. This article explores and illuminates this lost strand of Roubalová’s career. Beginning in July 1880, press reviews reveal the powerful impression this Czech- and Italian-trained prima donna made during the Melbourne operatic season given by the Lyster Opera Company. Although visits to the USA, England, and Europe indicate that she planned to continue her career in the Northern Hemisphere, this hope was not realised. Upon returning to Melbourne Boema turned to recitals and oratorio performances with major concert-giving societies. In 1886 she sang in the noteworthy Australian premiere of Dvořák’s oratorio The Spectre’s Bride and later performed at the consecration of Melbourne’s Catholic Cathedral (where she became a recurring soloist). In 1901 she was appointed Chief Study Singing Teacher and Head of the Operatic and Dramatic Class at Melbourne University’s Conservatorium. Notwithstanding confusing biographical information, numerous sources reveal basic information about Madame Boema’s life both abroad and in Australia. Personal characteristics, combined with changing musical taste, seem to have led to the gradual loss of engagements and of her position at the Conservatorium. Although press reviews testify to her stature as a dramatic soprano, Boema’s professional activity appears to have been on a downward trajectory when her life became overshadowed by disputes and personal tragedy. Nevertheless, because of her influence as a pedagogue and performer, as well as what her career reveals about the musical culture of both the Czech lands and Australia, Boema’s career as a singer and teacher in the Antipodes deserves greater recognition in the histories of these places.
