ABSTRACT
In the middle of the twentieth century, when the European Union (EU) started to take shape, numerous European colonies – many with a significant Muslim population – gained independence. These two moments in history need to be read in relation to each other when thinking about “Islam in Europe”. This paper engages in such a relational reading and shifts the analytical focus from “Islam” to “Europe”, exploring the ways “EUrope” manifests itself in the city of Brussels. By combining a spatialized analysis of the European Quarter with the conceptual lens of the “palimpsest”, I seek to offer a spatiotemporal framing that renders visible the material remains of imperial formations within the fabric of “EUrope”. The paper further explores how these often unmarked layers configure EU-space as “white” and Christian, and impact the ways Muslim bodies navigate within the EU-fabric and create counterspaces.
