ABSTRACT
This paper focuses on the differing approaches taken when cleaning two sets of fixed wall hangings at the National Trust property, Knole, in the UK. The vast caffoy wall hangings from the Cartoon Gallery and Reynolds Room form one half of the discussion, whilst those from the tiny King’s Closet form the contrasting treatment and provide an interesting example of surface wet cleaning versus full immersion cleaning techniques. The construction as well as the scale of the works required one set to be treated in situ whilst the other could be de-installed. Both projects illustrate how vital it is to constantly review progress, particularly with large-scale, complex objects taking many years to complete. The author illustrates how careful management and focus was therefore necessary in leading the project and required great flexibility and commitment by the conservation team.
