ABSTRACT
The conservation of two Coptic tunics conserved at the Victoria and Albert Museum, London, between 1986 and 1996 is described. This period was notable for changes in approach and advances in techniques, leading to a more informed understanding of both the limitations and the potential offered by adhesive treatments. Developments in treatment decisions arose from greater communication and discussion between textile conservators from different schools of conservation, the re-assessment of earlier techniques and research into the qualities of a range of adhesives which were currently in use in the UK. The outcome of these developments led to a more differentiated use of adhesives, greater refinement of technique and an acceptance of the validity of adhesive treatments for specific conditions.
