ABSTRACT
This case study looks at recent changes in textile conservation practice at the Victoria and Albert Museum, concentrating on the themes that emerged after reviewing the published output of the studio staff since 2010. The themes discussed include: the rise of the ‘blockbuster’ exhibition, particularly fashion exhibitions, and their impact on the balance of work within the studio and the growing demands for specialist costume mounting staff; new developments in mannequin building including digital printing and close collaboration with manufacturers; new policy and procedures surrounding the touring of large exhibitions including the rise of ‘virtual’ couriering; project-driven research into approaches to wet-cleaning and conserving modern materials; outreach using video and filming with the BBC; and external training opportunities for conservators overseas via new partnerships in India, China and Palestine. The case study also considers future challenges in building a sustainable practice in textile conservation in the context of an ambitious programme of temporary and touring exhibitions.
