ABSTRACT
For many, Jack Gelber’s play The Connection (1959) is the author’s single great contribution to the American theater. Eviscerated by critics at the time for its unusual naturalistic style, the play was later lauded and remains one of the changing forces in American playwriting. The Connection is also indicative of Gelber’s work to follow – absurd/humanist theater that pushes audiences to consider their own addictions, desires, frustrations, and wants. His plays often remove the veil between performer and audience, creating a total theater experience.
