ABSTRACT
This article argues that the figures of the wounded and dead soldier are central organising nodes in public objects, events, and institutions and are generative of intense affects and feelings, which are in turn bound to and constitute geopolitical imaginaries. Through these figurations, bodies of wounded and dead soldiers are brought to visibility, becoming key technologies for the production of authority and attachment, and fostering powerful affective responses in publics that work to amplify and enliven particular forms of neoliberal militarised nationhood.
