The Shingeki Movement Until 1930: its Experience in Western Approach

One of the main characteristics of the Shingeki is the great quantity of Western references that it chose when conducting its own experiments. In observing this theatrical movement in its first twenty-years of experimentation, we find ourselves, therefore, taking account of the presence, or better, the image of Western theatre, reflected in the productions, in the repertoire and in the interpretations of the actors.