ABSTRACT
The grip of Ovid's Metamorphoses on the Western imagination during the last two millennia has been so strong that it is easy to underestimate the significance of Apuleius' identically titled work about a man who is transformed into a donkey following his affair with a witch's slave-girl. Notions of metamorphosis are, of course, embedded in the very building blocks of Western fiction. Apuleius quietly undercuts these reports of cosmic power by emphasizing how easily physical transformations can be achieved. Desirous of imitating Pamphile's metamorphosis into an owl, Lucius asks what would be required to reverse the process. One of the most entertaining episodes in the novel occurs shortly before the protagonist's physical transformation, when Lucius figuratively 'makes an ass of himself' through the very eloquence of his own defence at his trial for homicide during the Festival of Risus.
