ABSTRACT
This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book indicates three key reasons for Rosa Newmarch attainment of 'distinction' and 'recognition' in the contemporary musical world. In short, far greater emphasis has been placed on Newmarch's importance as a facilitator than on her role as original thinker. By the time of the appearance of The Russian Opera Newmarch was heralded by the Daily Sketch for occupying 'a peculiar position with regard to music in this country' because 'she finds herself to be quite a leader of fashion in musical thought'. More can be gleaned of her attitudes to the critical act from the introductions she furnished to her translated and edited biographical studies as well as her many journalistic pieces. Newmarch's preoccupation, however, was not the promotion of native British music, but the elevation of the profile of foreign music in Britain.
