ABSTRACT
The deepest difference between optimists and pessimists is their position in the debate about whether human beings are able to operate collectively from a basis of love. In the development of our positive design plot, there is something to be learned from this evolution in the 'health care research plot'. To escape from high work pressure, they seek voluntary refuge in a 'prison hotel'. The prison may alleviate some of the symptoms, but it doesn't solve the problem. Despite the desperate attempts of his close friends to convince him to abandon the experiment, he jumped from the tower's first platform wearing his invention. In the positive design plot, designers generate value and meaning that transcends the mere economic value that is recognised by the bare instrumentalism of capitalism. Our positive design plot combining heroism with modesty, requires love.
