ABSTRACT
During the early colonial era, collectors from Australia, Europe, and North America descended on the Gulf of Papua (Papua New Guinea) in a rush to acquire ‘primitive’ artefacts for Western markets and institutions. The object hunters had a variety of intentions and approaches to acquiring artefacts from local Indigenous peoples. Field diaries, colonial records, and early ethnographic publications offer Western perspectives on the cross-cultural interactions that took place. In this essay, I explore contemporary Indigenous perspectives on the removal of material culture in the early twentieth century. Narratives (oral and textual) told by the Kaivakovu and Larihairu village communities of Orokolo Bay in the Gulf of Papua describe a traumatic event: the extraction of a preserved ceremonial longhouse post (ive) at gunpoint by the anthropologist Francis Edgar Williams. I unpack these stories with reference to notions of remembering, trauma, and telescoping. For the inhabitants of Orokolo Bay, the silencing of materials of ancestral communal importance some 80–90 years ago has not caused forgetting. Rather, social memories of the now-absent ive and of violent acts of removal endure and inform Indigenous conceptions of museum institutions today.
