ABSTRACT
Sacred landscapes are a subset of the diverse media that people use to make statements about social order. Mary Douglas has discussed two dimensions of social order—group and grid—and suggested connections between their varied conceptions and expressions in the culturally constructed landscape. I extend Douglas's concepts to a specific domain of sacred landscapes, funerary architecture. Drawing on two examples from the prehispanic Andes, I argue that differences in Chimú and Inka funerary landscapes represent different conceptions of social order. Archaeological investigations of sacred spaces as expressions of varying social experience deepen understanding of Andean societies and other ancient peoples.
