ABSTRACT
The essays in this collection explore similar interests, modes, methods, and practices among male and female writers of the British Romantic period. The premise of the volume is that men and women of the late eighteenth and early nineteenth centuries participated in many of the same literary traditions and experiments, and that they influenced and interacted with one another in dynamic and fruitful ways. Fellow Romantics studies male and female writers together, emphasizing common ground and creative dialogue among them.
