ABSTRACT
This chapter considers the extent to which his Essay on the Shaking Palsy of 1817 successfully defined a new disease and incorporated a distinctively narrative view of the condition into the concept of it. It focuses on Parkinson's approach to gathering and presenting his findings in the context of the observational culture of his time and on how the Essay exemplifies the literary and social aesthetic Tom Laqueur has called 'a new humanitarian narrative'. In depicting the clinical phenomenology of the condition, the chapter examines the dialectic between observation and abstraction, between individual case description and the general account of the condition which the Essay sets up, as well as its author's debt to eighteenth-century sentimental writing and the literature of urban spectatorship. The contrast between urban streets and those of the countryside became the subject of observation and comment. Parkinson's Essay identified more than a loose collection of symptoms.
