Skip to main content
Taylor & Francis Group Logo
    Advanced Search

    Click here to search products using title name,author name and keywords.

    • Login
    • Hi, User  
      • Your Account
      • Logout
      Advanced Search

      Click here to search products using title name,author name and keywords.

      Breadcrumbs Section. Click here to navigate to respective pages.

      Chapter

      Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise
      loading

      Chapter

      Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise

      DOI link for Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise

      Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise book

      Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise

      DOI link for Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise

      Extracting Desire: Michelangelo and the forza di levare as an Architectural Premise book

      ByJonathan Foote
      BookThe Material Imagination

      Click here to navigate to parent product.

      Edition 1st Edition
      First Published 2015
      Imprint Routledge
      Pages 18
      eBook ISBN 9781315555713
      Share
      Share

      ABSTRACT

      Experience of phenomena sensations in space and time as distinguished from the perception of objects provides a pre-theoretical ground for architecture. Phenomenology as a way of thinking and seeing becomes an agent for architectural conception. While phenomenology restores us to the importance of lived experience in authentic philosophy, it relies on perception of pre-existing conditions. The phenomenal merge of object and field is accomplished via attention to individual site and situation. The hackneyed terms contextualism or context have encouraged an operation whereby a new building, chameleon like, takes characteristics from each of its neighbors without maintaining internal integrity. Japanese Zen poets developed a vocabulary to discuss Kajitsu of a poems aspect and form. Ka is the beautiful surface of a poem while jitsu is the substantial core. An organic fusion of spirit and intellect opens a path toward inspiration, awareness, and yugen, the Buddhist term for depth of meaning.

      T&F logoTaylor & Francis Group logo
      • Policies
        • Privacy Policy
        • Terms & Conditions
        • Cookie Policy
        • Privacy Policy
        • Terms & Conditions
        • Cookie Policy
      • Journals
        • Taylor & Francis Online
        • CogentOA
        • Taylor & Francis Online
        • CogentOA
      • Corporate
        • Taylor & Francis Group
        • Taylor & Francis Group
        • Taylor & Francis Group
        • Taylor & Francis Group
      • Help & Contact
        • Students/Researchers
        • Librarians/Institutions
        • Students/Researchers
        • Librarians/Institutions
      • Connect with us

      Connect with us

      Registered in England & Wales No. 3099067
      5 Howick Place | London | SW1P 1WG © 2022 Informa UK Limited