ABSTRACT
This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book explores the plethora of popular culture definitions presented in literature and creates a foundation for the understanding of tourism in the wake of popular culture expressions. It also explores the links between tourism and popular culture through scholarship, socialization and construction. The book discusses how popular culture and tourism participate in the commodification and memorialization of the violent heritage of narco drama in Medellin, Columbia. It presents the complex film tourist decision-making process. The book identifies the popular culture expression of contemporary music tourism and its connection to place. It looks at the Portuguese song form 'fado' and its identity and role in Lisbon tourist experiences. The book investigates the concept of 'royal tourism' and how it can be used as a political and socio-cultural tool and context.
