Introduction

This introduction presents an overview of key concepts discussed in the subsequent chapters of this book. The book extends transatlanticism to explore the importance of 'Atlantic double-crossing', as it is to a great extent Robert Burns's reputation in the New World that has assured his continuing currency as a global commodity in the Old World. It considers the non-literary ways in which Burns was represented in a transatlantic context, focusing on his memorialization in statues, music, and new technologies. The book aims to shift Burnsand Scottish Studies in general beyond the purview of national framework. Simultaneously, it suggests the ways that transatlantic studies can benefit from a consideration of the example of Robert Burns. Robert Burns and Transatlantic Culture consists of five roughly chronological sections, each of which focuses on a different aspect of Burns in the Americas. Thus, if the rhizomatic growth of Burnsian culture has already been disturbed by its cartographic maneuvers, doubly it moves into this new medium.