ABSTRACT
The concept of ‘semiotic modality’ is introduced to differentiate representations in terms of degrees of certainty about, or resemblances to, reality. Five perspectives on the relationship of reality and representation are outlined: representation versus reality – the Platonic view of reality as imperfectly representing the ideal; representation of reality – including scientific commitments to ‘realistic’ representation; representation as reality – where representations actively shape shared social and material realities; reality as representation – where lifeworlds are replete with signs, symbols and simulated realities; and non-representational approaches – that embody the liveliness of unfolding experiences and feelings into performance and response.
