ABSTRACT
This chapter analyses Lucretius’ theories on sound in De rerum natura. It reconstructs Lucretius’ account of the physiological mechanisms underlying the production and perception of sounds, with particular emphasis on the continuities between humans and animals. It reconsiders his treatment of the origins of language, suggesting a less anthropocentric reading. The chapter also explores the relationship between sound and epistemology in the poem. Analysing what Lucretius says about sound in tandem with how he employs it shows that Lucretius crafted the poem according to his theories. This has significant implications for our understanding of Lucretius’ didactic programme and of the potential of poetry as an auditory medium.
