ABSTRACT
Taking place in 2014, Control 25 was Liverpool’s first one-to-one performance festival. As curators we (Sarah and Emma) invited both established and emerging artists to work with us to create twenty-five new one-to-one performances that would examine the nature of authorial control within the art form. In this practice-based reflection we explore the question of who’s in chargespectators, artist or artwork-in one-to-one performance.
